{"id":1894,"date":"2010-07-12T13:45:49","date_gmt":"2010-07-12T12:45:49","guid":{"rendered":"http:\/\/dubmassive.org\/?p=1894"},"modified":"2013-02-25T02:02:15","modified_gmt":"2013-02-25T01:02:15","slug":"lubay","status":"publish","type":"post","link":"https:\/\/dubmassive.org\/en\/1894\/lubay\/","title":{"rendered":"Lubay"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/dubmassive.org\/pl\/wp-json\/wp\/v2\/posts\/1894\" class=\"qtranxs-available-language-link qtranxs-available-language-link-pl\" title=\"Polish\">Polish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><p><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/dubmassive.org\/wp-content\/uploads\/2010\/07\/JDDT-by-R\u017b-Lubay-3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-1895\" title=\"JDDT by R\u017b - Lubay  3\" alt=\"\" src=\"http:\/\/dubmassive.org\/wp-content\/uploads\/2010\/07\/JDDT-by-R\u017b-Lubay-3-200x300.jpg\" width=\"200\" height=\"300\" srcset=\"https:\/\/dubmassive.org\/wp-content\/uploads\/2010\/07\/JDDT-by-R\u017b-Lubay-3-200x300.jpg 200w, https:\/\/dubmassive.org\/wp-content\/uploads\/2010\/07\/JDDT-by-R\u017b-Lubay-3.jpg 480w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>Lubay &#8211; od lat 80-tych na orbicie pulsacyjnej, s\u0142uchacz, gracz, producent &#8211; punky-reggae-imprezowicz (RedAktors, Melkior). Zelektryfikowany podczas 7 lat sp\u0119dzonych w Wiedniu (JFK, Soul Seduction, Black Market Community). Od drugiej po\u0142owy 90tych ponownie aktywny w kraju przodk\u00f3w (Ticket Must Be Performation, Transmisja).<br \/>\nW nowym millenium coraz bardziej multimedialny (animacje, video, tv). Pisze (wywiady, recenzje do GW, A4, Free Colours), t\u0142umaczy (biografie Boba i Rity Marley). Nie tylko produkuje w studio (Home+Soul, remiksy), tak\u017ce gra muzyk\u0119 na \u017cywo (Right Irietion, Stage of Unity, Sedativa, Sound.EH). Aktywista i bywalec warszawskich jam sessions (Czarny Lew, Mandala, Obiekt). Wsp\u00f3\u0142pracuj\u0105cy z MesBrutah (Experimenthal Dubbing Sessions, VA-Version).<br \/>\nW planach nowy album i publiczne wyst\u0119py w r\u00f3\u017cnych konfiguracjach (np. w roli wyk\u0142adowcy na Uniwersytecie Reggae w Ostr\u00f3dzie podczas ORF2010).<br \/>\nNie je mi\u0119sa, nie pali fajek i ma gdzie\u015b s\u0142odycze. W lecie najch\u0119tniej na rowerze, w zimie na desce. Na hokeju si\u0119 nie zna \ud83d\ude42<br \/>\n<span style=\"text-decoration: underline;\"><br \/>\nProdukty (wyd. home+soul, chyba \u017ce podano inaczej):<\/span><br \/>\nDon&#8217;t panic it&#8217;s just the end of this world (CD 1995)<br \/>\nSimple Pleasures (CD 1995)<br \/>\nUwik\u0142any w Sensy (CD 1997)<br \/>\nTransmisja: Lekkie Uderzenie (Hey Joe CD 1997, wsp\u00f3\u0142tw\u00f3rca)<br \/>\nDidjital Dub (EP 1997<br \/>\nSelf Service (CD 1998)<br \/>\nDidjital Dub Reprise (EP 1998)<br \/>\nMiles Akbar (EP 1999)<br \/>\nDevlish (EP 2000)<br \/>\nFela Remixed (EP 2002)<br \/>\nIn the Way of Anna (EP 2003)<br \/>\nDub me Forward (2CD 2005)<br \/>\nSynthesis (CD 2006)<br \/>\nVavamuffin: Dubang! (Karrot Kommando CD 2006, wsp\u00f3\u0142tw\u00f3rca)<br \/>\nPerpetuals (EP 2007)<br \/>\nTimothy White: Catch a Fire biografia Boba Marleya (Axis Mundi 2007, wyd.IIautor przek\u0142adu piosenek)<br \/>\nCZARNY LEW Live @ the Uni: Tribute to the Martyrs (Bleoncz Film DVD 2007, wykonawca, produkcja, monta\u017c)<br \/>\nDubs &amp; Loops (CD 2008)<br \/>\nElements (EP 2009)<\/p>\n<p style=\"text-align: justify;\"><em>DUB VA.VERSION.001 &#8211; Import\/Export <\/em>(LAiF 2009, wsp\u00f3\u0142tw\u00f3rca)<br \/>\nChwilami \u017bycie Bywa Zno\u015bne (TVN 2009, wsp\u00f3\u0142autor muzyki)<br \/>\nRita Malrey: Moje \u017cycie z Bobem Marleyem (Axis Mundi 2010, autor przek\u0142adu)<br \/>\nMarika: Put your shoes on\/off (EMI 2CD 2010, wsp\u00f3\u0142tw\u00f3rca)<\/p>\n<p style=\"text-align: justify;\">1. Od kiedy Twoje serce bije Dubem?<\/p>\n<p style=\"text-align: justify;\"><strong>1983-Misty in Roots w Warszawie<\/strong><\/p>\n<p style=\"text-align: justify;\">2. Je\u015bli s\u0142uchasz dubu to klasyka czy nowoczesno\u015b\u0107?<\/p>\n<p style=\"text-align: justify;\"><strong>od staro\u017cytnej Jamajki (Perry, Bullwackie), a\u017c po nowo\u017cytny Londyn (Burial, Rusko)<br \/>\n<\/strong><br \/>\n3. W dubie wa\u017cny jest&#8230; <!--more--><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>PDT &#8211; Puls, Delay<\/strong> <strong>i Tajemnica<\/strong><\/p>\n<p style=\"text-align: justify;\">4. Podaj p\u0142yt\u0119\/utw\u00f3r, kt\u00f3ra\/y gdy s\u0142yszysz, jedyn\u0105 my\u015bl jak\u0105 masz w g\u0142owie jest: wi\u0119cej basu<\/p>\n<p style=\"text-align: justify;\"><strong>Jah Free &#8220;Rod of Correction&#8221; (Deep Root, 1997)<\/strong><\/p>\n<p style=\"text-align: justify;\">5. Je\u015bli m\u00f3g\u0142by\u015b spe\u0142ni\u0107 muzyczne marzenia wybieraj\u0105c kogo\u015b do wsp\u00f3\u0142pracy lub materia\u0142 do remiksu, kto\/co by to by\u0142o?<\/p>\n<p style=\"text-align: justify;\"><strong>do wsp\u00f3\u0142pracy Burial, do remixu Lady Gaga :-))<\/strong><\/p>\n<p style=\"text-align: justify;\">6. Studio marze\u0144?<\/p>\n<p style=\"text-align: justify;\"><strong>bez kabli<\/strong><\/p>\n<p style=\"text-align: justify;\">7. Najlepszy, najbardziej inspiruj\u0105cy, niezapomniany koncert jaki prze\u017cy\u0142e\u015b<\/p>\n<p style=\"text-align: justify;\"><strong>nie pami\u0119tam, za du\u017co ich by\u0142o \ud83d\ude42<\/strong><\/p>\n<p style=\"text-align: justify;\">8. Najbardziej zakr\u0119cony pomys\u0142 na dub lub remix.<\/p>\n<p style=\"text-align: justify;\"><strong>ludzkie cia\u0142o<\/strong><\/p>\n<p style=\"text-align: justify;\">9. Dub to tu i teraz czy podr\u00f3\u017c w przysz\u0142o\u015b\u0107?<\/p>\n<p style=\"text-align: justify;\"><strong>przesz\u0142o\u015b\u0107 i tera\u017aniejszo\u015b\u0107. przysz\u0142o\u015bci nie znam.<\/strong><\/p>\n<p style=\"text-align: justify;\">10.Plany na przysz\u0142o\u015b\u0107?<\/p>\n<p style=\"text-align: justify;\"><strong>powr\u00f3t do przesz\u0142o\u015bci (Roland MV-8000) :-)))<\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Polish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Lubay &#8211; od lat 80-tych na orbicie pulsacyjnej, s\u0142uchacz, gracz, producent &#8211; punky-reggae-imprezowicz (RedAktors, Melkior). Zelektryfikowany podczas 7 lat sp\u0119dzonych w WiedniuContinue reading &rarr;<\/p>\n","protected":false},"author":5,"featured_media":1895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[362,363,361],"_links":{"self":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts\/1894"}],"collection":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/comments?post=1894"}],"version-history":[{"count":0,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts\/1894\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/media\/1895"}],"wp:attachment":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/media?parent=1894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/categories?post=1894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/tags?post=1894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}