![\"main_ASWAD](\"http:\/\/dubmassive.org\/wp-content\/uploads\/2014\/09\/main_ASWAD-WEB.jpg\")
<\/a><\/span><\/span>STREETLIFE & KONTAKT Present:<\/span><\/p>\nASWAD
(Live In Concert \/ Full Band)<\/p>\n
SATURDAY 13th DECEMBER 2014<\/p>\n
STREETLIFE VENUE, LEICESTER<\/p>\n
For this event we are bringing you two of the biggest names in the scene… ASWAD & DAWN PENN.<\/span><\/span><\/p>\n Full Line Up…<\/p>\n – ASWAD w\/ Live Band<\/p>\n – DAWN PENN Live P.A.<\/p>\n >With Support From;<\/p>\n – THE PARADIMES<\/p>\n – DONOVAN KINGJAY Live P.A.<\/p>\n – ECHO MARLEY<\/p>\n Hosted by…<\/p>\n DADDY FISHEAD & KING DREAD <\/span><\/span><\/p>\n <\/p>\n ASWAD<\/p>\n Aswad (\u201cBlack\u201d in Arabic) are a long-lasting British reggae group, noted for adding strong R&B, soul, and soca influences to the reggae sound. They have been performing since the early 1970s, and have released a total of twenty-one albums.<\/p>\n As naturalised children of immigrants from the Caribbean, part of the aftermath of World War II, the children were moved to London. They attended a local high school near Ladbroke Grove, and various junior schools as Tan Tan children of immigrants from the Caribbean around West London in 1975. Vocalist Brinsley Forde had a brief career on television on the British children\u2019s television series \u201cHere Come the Double Deckers\u201d in 1970-71.<\/p>\n The original members of Aswad were Brinsley Forde, George Oban, Drummie Zeb, and Donald Griffiths. Courtney Hemmings was a frequent contributor in the 1970s, including as part of the backing band on Burning Spear\u2019s 1979 Live album, recorded at the Rainbow Theatre in London.<\/p>\n They became one the U.K.\u2019s top reggae bands with songs, typical of the time, about the oppression of black youth, such as \u201cThree Babylon\u201d and \u201cIt\u2019s Not Our Wish\u201d, and the powerful jazz-influenced instrumental \u201cWarrior Charge\u201d.<\/span><\/span><\/p>\n The band gained a wider audience with the New Chapter album (1981). \u201cFire\u201d, the opening track gained wide recognition when it was used as the backing rhythm for Dennis Brown\u2019s \u201cPromised Land.\u201d<\/p>\n Among Aswad\u2019s catalogue of hits is \u201cDon\u2019t Turn Around\u201d, a pop hit in 1988. This track was originally a B-side to Tina Turner\u2019s hit \u201cTypical Male\u201d, which was later covered by Ace of Base; and a reggae flavoured rendition of \u201cBest of My Love\u201d, first popularised and written by The Eagles. Their next hit, Shine, was released in 1994. Another track was the upbeat 1998 remake of The Police\u2019s \u201cInvisible Sun\u201d, performed with Sting.<\/p>\n The band also hold the distinction of having played with each one of the ex-Wailers.<\/p>\n <\/p>\n DAWN PENN<\/p>\n Dawn Penn is one of the original queens of reggae music. A native of Kingston, Jamaica, she grew up in a musical family, studying piano, classical violin and performing with her sisters Pat and Audrey in churches. Her first recording was \u201cWhen I\u2019m Gonna Be Free\u201d was in 1966. She then recorded for the legendary Coxsone Dodd at Studio One and her first hit came in 1967 with the title \u201cYou Don\u2019t Love Me \u2013 No, No, No\u201d, one of the most famous reggae hits of all-time which has been covered by countless artists around the world including Beyonce, Rihanna, Sean Paul, Wu-Tang Clan, Eve, J Millz and Lily Allen. <\/span><\/span><\/p>\n Over the next several years several singles were released including three: \u201cBlue Yes Blue\u201d, \u201cHere\u2019s The Key\u201d and Long Day Short Night\u201d on Prince Buster\u2019s Label. In 1970, she moved to Tortola in the British Virgin Islands to explore her roots on her father\u2019s side. She returned to Jamaica in 1987, re-recording her single You Don\u2019t Love Me\u201d with Steelie and Cleavie in 1991. Steelie & Cleavie\u2019s version (which they recorded to commemorate Studio One\u2019s 35th Anniversary) was a crossover hit in the mainstream pop charts and was picked up by Heartbeat in the U.S. King Jammy\u2019s recording that was done the year before with Bounty Killer, Dennis Brown and Ken Boothe, under separate recording on the Greensleeves label became a dancehall smash.<\/p>\n In 1993, Big Beat (Atlantic Records) signed Penn to an 8-year album deal, and by the following year she was back on the charts with her re-recorded dancehall version of \u201cYou Don\u2019t Love Me \u2013 No, No, No\u201d. The single charted in 53 countries, was featured in advertisements for Nissan and Churchill and the album was nominated for a Grammy Award. In 1995 she produced and recorded her original track \u201cWhat Do You Do?\u201d, followed up by Delroy Williams and herself producing the album called \u201cCome Again\u201d on Trojan Records which sold close to 110,000 copies. Her 2000 single \u201cNever Ever\u201d was released on Jet Star, becoming a smash hit on BBC Radio 1.<\/p>\n In 2001 she was honoured with the \u201cMartin Luther King Award\u201d by Caribbean Images in recognition of her contribution to Jamaican music. From 2002-2004 she collaborated with top U.S. hip hop artists including John Forte of the Fugees on (\u201cWhat You Gonna Do\u201d and \u201cMercy pon we\u201d) culminating in the release of the R & B Album- \u201cNever Hustle The Music\u201d, touring extensively across Europe. In the US, Cocoa Brovaz (\u201cSpit Again\u201d) was a Project on Rawkus. <\/span><\/span><\/p>\n <\/p>\n Tickets & Admission…<\/p>\n \u00a312.50 Super Early Bird>> SOLD OUT<\/p>\n \u00a315.00 Early Bird On-Line Only; \u00a317.50 Standard On-Line & In-Store In Store: <\/p>\n Rockaboom\/\/ Wellgosh \/\/ Hatman \/\/ Cartel’s \/\/ Pay On The Door Available: More On The Door<\/p>\n Venue information…<\/p>\n
Streetlife, G-Funk Promotions and Kontakt are proud to present one of the biggest reggae concerts in Leicester since legendary nights at The Auditorium.<\/span><\/p>\n
>http:\/\/tinyurl.com\/lmmgy5j<\/a><\/p>\n
>http:\/\/tinyurl.com\/lmmgy5j<\/a><\/p>\n
Colin Mitchell <\/span><\/span><\/p>\n