{"id":91,"date":"2009-10-07T00:16:55","date_gmt":"2009-10-06T23:16:55","guid":{"rendered":"http:\/\/dubmassive.org\/?p=91"},"modified":"2013-02-25T14:46:12","modified_gmt":"2013-02-25T13:46:12","slug":"soul-syndicate-dub-classics","status":"publish","type":"post","link":"https:\/\/dubmassive.org\/en\/91\/soul-syndicate-dub-classics\/","title":{"rendered":"Soul Syndicate &#8211; &#8220;Dub classics&#8221; (LP)"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/dubmassive.org\/pl\/wp-json\/wp\/v2\/posts\/91\" class=\"qtranxs-available-language-link qtranxs-available-language-link-pl\" title=\"Polish\">Polish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><p><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/dubmassive.org\/wp-content\/uploads\/2009\/10\/1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-5154\" alt=\"1\" src=\"http:\/\/dubmassive.org\/wp-content\/uploads\/2009\/10\/1-300x300.jpg\" width=\"300\" height=\"300\" srcset=\"https:\/\/dubmassive.org\/wp-content\/uploads\/2009\/10\/1-300x300.jpg 300w, https:\/\/dubmassive.org\/wp-content\/uploads\/2009\/10\/1-150x150.jpg 150w, https:\/\/dubmassive.org\/wp-content\/uploads\/2009\/10\/1.jpg 320w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Ka\u017cdy znany producent na Jamajce mia\u0142 sw\u00f3j ulubiony zestaw muzyk\u00f3w, kt\u00f3rzy nagrywali dla niego&#8230; i dla innych. Rotacja nazw i os\u00f3b by\u0142a do\u015b\u0107 powszechnym zjawiskiem np. na jednej sesji u Bunny&#8217;ego Lee zesp\u00f3\u0142 nazywa\u0142 si\u0119 <span style=\"font-style: italic;\">The Aggrovators<\/span>, a ju\u017c wieczorem ci sami grajkowie nagrywali materia\u0142 dla Joe Gibbsa jako <span style=\"font-style: italic;\">The Proffesionals<\/span>. Clive Chin ze studia Randy&#8217;s Studio 17 w wywiadzie w 1998 roku opowiada\u0142 o tym tak:<\/p>\n<p style=\"text-align: justify;\"><em>&#8220;[&#8230;]Ten sam zesp\u00f3\u0142 ludzi, ale inna nazwa. Derrick Harriot, tak? Nagrywa\u0142 i produkowa\u0142 kawa\u0142ek dla siebie i dla piosenkarzy. Ale w czasie nagrania oni b\u0119d\u0105 si\u0119 nazywali The Crystallites. Clancy Eccles u\u017cyje tego samego zestawu muzyk\u00f3w, ale nie nazwie ich the Crystallites, tylko The Dynamics. W studio Beverley&#8217;s u\u017cyj\u0105 identycznego sk\u0142adu, prawdopodbnie dodadz\u0105 jednego lub dw\u00f3ch muzyk\u00f3w &#8211; Beverly&#8217;s All Stars! W Randy&#8217;s nazwyli\u015bmy ich Impact All-Stars.&#8221;<\/em><\/p>\n<p style=\"text-align: justify;\">Soul Syndicate byli ulubionym &#8220;zestawem&#8221; muzyk\u00f3w producenta znanego jako Niney The Observer. W rzeczywisto\u015bci nazywa\u0142 si\u0119 on Winston Holness i pracowa\u0142 z takimi artystami jak Dennis Brown, Max Romeo, Michael Rose, I Roy, The Ethiopians, Barry Brown, Gregory Issacs i Freddie McGregor. W Soul Syndicate na b\u0119bnach rytm wybija\u0142 Carlton &#8216;Santa&#8217; Davis, na basie gra\u0142 George &#8216;Fully&#8217; Fullwood a na gitarach Earl &#8216;Chinna&#8217; Smith i Tony Chin. Keith Sterling, Gladstone &#8216;Gladdy&#8217; Anderstone i Bernard &#8216;Touter&#8217; Harvey przygrywali na organach\/keyboardzie a Noel &#8216;Skully&#8217; Simms na perkusji. W razie potrzeby d\u0119ciaki by\u0142y zapewniane przez takie persony jak Tommy McCook, Bobby Ellis, Felix &#8216; Deadley Headley&#8217; Bennett.<\/p>\n<div id=\"attachment_92\" style=\"width: 307px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-92\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-92\" title=\"Soul Syndicate - Dub Classics - ty\u0142 ok\u0142adki\" alt=\"Soul Syndicate - Dub Classics - ty\u0142\" src=\"http:\/\/dubmassive.org\/wp-content\/uploads\/moved_img\/uploads\/2009\/10\/2.jpg\" width=\"297\" height=\"254\" \/><p id=\"caption-attachment-92\" class=\"wp-caption-text\">Soul Syndicate &#8211; Dub Classics &#8211; ty\u0142<\/p><\/div>\n<p style=\"text-align: justify;\">Materia\u0142 z tej p\u0142yty pochodzi z okresu, kiedy Niney nie posiada\u0142 w\u0142asnego studia. Wi\u0119kszo\u015b\u0107 tych utwor\u00f3w nagrane zosta\u0142o w Channel 1 (wi\u0119kszo\u015b\u0107) , reszta w Randy\u2019s Studio17 i u Joe Gibbsa. Niney pracowa\u0142 tak\u017ce z Kingiem Tubbym nad dub plate&#8217;ami tych numer\u00f3w, kt\u00f3re p\u00f3\u017aniej u\u017cywane by\u0142y jako wersje, a przede wszystkim &#8211; \u015bwietnie sprawdza\u0142y si\u0119 na pota\u0144c\u00f3wkach sound systemu Tubby&#8217;ego &#8211; King Tubby&#8217; Hi -Fi.<\/p>\n<p style=\"text-align: justify;\">Utwory na p\u0142ycie to zar\u00f3wno surowe, mocne, dubwise&#8217;owe kompozycje, jak i nieco \u017cwawsze melodie. Stara szko\u0142a dubu w stylu Tubbiego, warto pos\u0142ucha\u0107!<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Polish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Ka\u017cdy znany producent na Jamajce mia\u0142 sw\u00f3j ulubiony zestaw muzyk\u00f3w, kt\u00f3rzy nagrywali dla niego&#8230; i dla innych. Rotacja nazw i os\u00f3b by\u0142aContinue reading &rarr;<\/p>\n","protected":false},"author":17,"featured_media":5154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[14,12,1302,13],"_links":{"self":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts\/91"}],"collection":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":0,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/posts\/91\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/media\/5154"}],"wp:attachment":[{"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/categories?post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dubmassive.org\/en\/wp-json\/wp\/v2\/tags?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}